Free Ebook They Drew As They Pleased Vol 4: The Hidden Art of Disney's Mid-Century Era: The 1950s and 1960s, by Didier Ghez

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They Drew As They Pleased Vol 4: The Hidden Art of Disney's Mid-Century Era: The 1950s and 1960s, by Didier Ghez

Free Ebook They Drew As They Pleased Vol 4: The Hidden Art of Disney's Mid-Century Era: The 1950s and 1960s, by Didier Ghez

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Review

" The Hidden Art of Disney's Mid-Century Era: The 1950s took my breath away...Ghez features a wealth of work that was too weird, too ambitious, too esoteric to make it into a Disney production -- it's a tour of a parallel universe in which Disney was the world's best-funded avant garde salon, where incredibly talented, fiercely driven painters and illustrators produced challenging work of enormous wit, drive, and ambition."-Cory Doctorow, BoingBoing4 out of 5 stars "What draws us in most about this book is, of course, the art, but also Didier's warts-and-all insights. He hasn't splashed Disney glitter over its history. Instead, he's given a true account of how these largely unknown artists and their commitment to their craft - even when it came into question - helped refine Disney's artistic style for years to come, securing their place in animation history in the process."-ImagineFX"Though some illustration projects were never produced, this collection holds mementos of the past, preserving it so any Midcentury Modernist or animation lover can experience the challenging works that drove animation studios to the edge in both creativity and style."-Atomic Ranch magazine"This series is a required part of any Disney Animation fan's library." -The Laughing Place"This is such a cool find...[it] shows some of the earliest animation sketches that came to be the Disney movies you know and love."-PopSugar "Gifts for Women: Best Coffee Table Books""The art and the men (and one woman) spotlighted here are fascinating. Many will be drawn to the story of Mary Blair, a female artist who exceeded in a male-dominated field, as she was one of the favorites of Disney himself. It's not hard to see why; her designs for 'Alice in Wonderland' are armed with color that seems as if it came directly from your dreams. One piece - which graces the book's cover - features Alice sitting before a seemingly never-ending ocean blue table, complete with all manner of multicolored teapots, cups and chairs, with a dark background featuring little beyond a couple bare trees, invoking a sense of mystery and dread behind the bright colors in the foreground. In other words, it perfectly captures the wonder and hints of dread that would come in the film."-The Auburn Citizen"... these books are a treasure trove of art that the samples included here only touch on. If anything, they are more a demonstration of these artists skills than their work for Disney. There is also a lot to contemplate and ensure these artists are not forgotten."-SF Crowsnest

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About the Author

Didier Ghez is the author of Disney's Grand Tour, Disneyland Paris, They Drew as They Pleased: The Hidden Art of Disney's Golden Age: The 1930s, and They Drew as They Pleased: The Hidden Art of Disney's Musical Years: The 1940s. In 2018, Ghez received the prestigious June Foray Award for significant and benevolent impact on the art and industry of animation. He lives in Florida.Eric Goldberg is best known for his work with Walt Disney Anima¬tion Studios on Aladdin, Pocahontas, Hercules, and Moana. In February 2011, he was awarded the prestigious Winsor McCay Award from ASIFA-Hollywood for lifetime achievement in animation.Susan McKinsey Goldberg directed two sequences on Fantasia/2000, creating a unique look that garnered her the animation industry's highest honor, the Annie Award, for production design.

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Product details

Hardcover: 224 pages

Publisher: Chronicle Books (August 7, 2018)

Language: English

ISBN-10: 1452163855

ISBN-13: 978-1452163857

Product Dimensions:

9.4 x 1 x 11.4 inches

Shipping Weight: 3.3 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

21 customer reviews

Amazon Best Sellers Rank:

#155,762 in Books (See Top 100 in Books)

The Disney Company is unparalleled with it’s meticulous studio records and extensive production artwork spanning nine decades. The problem is getting them to put this material out for Disney connoisseurs and historians to enjoy. Didier Ghez has done us wonders with this series of books devoted to the concept artists who were influential at the studio over the years.This volume is probably the most colorful of all. Mary Blair has been one of the most celebrated of Disney artists. Her designs had warmth and a flair for color. As a fan of her work, any publication with fresh art is always a welcome surprise. And too much Mary Blair is never enough. Lots of never before published designs for Dumbo, The Three Caballeros, Melody Time, Cinderella, and Alice In Wonderland. Ive seen the actual Dodo impression, on page 91, on display at the Disney Family Museum. I’d like to see more concept art on the unproduced Carnival feature. This also answered my curiosity on if she did any designs for Sleeping Beauty (she did!) In volume one, Didier expressed that he would shy away from Mary Blair to focus on artists that haven’t been discussed before. I’m so glad he didn’t. The pieces he selected are beyond amazing.We also have, for the first time, an in depth discussion about her husband’s, Lee Blair’s, career. Lots of fresh art from Pinocchio, Fantasia, and Saludos Amigos. The chapters on John Dunn and Tom Oreb delve into Disneys foray into television and educational projects with very stylized designs. I presume this is the first publication to discuss the career of the controversial Walt Peregoy. From all accounts, past and fairly recent (he died in 2015) he was a very unpleasant person to interact with. But his designs have very beautiful and a striking use of color. We finally have a good representation of Peregoy’s Disney career.This series has struck a great balance of previously unseen art by both well known artists and artists that have never been discussed before. I hope The Disney Company will follow this example and unearth their treasures for Disney fans to see and for artists to be inspired by.I wonder what new treasures have been discovered for Volume 5.

As a former Imagineer, I recently attended a reunion at WDI. Didier's were the only Disney history books I saw in the House of Mouse (the in-house Disney store). They're so well researched, documented, and visually stunning that even the insiders appreciate what he has created. If you are a true Disney devotee or just appreciate concept art for it's own sake, these books will have pride of place on your shelf. PS . I was privileged to know some of the artists he has written about. It makes his books extra special.

This is the best entry so far in the "They Drew As They Pleased" series, which is really saying something because all are fantastic. This volume has the advantage of Mary Blair, of course, but the colorful and stylish pieces by Oreb, Peregoy and Dunn were a revelation and a delight for the senses. I've been curious to know more about Oreb and Peregoy's work for a while, and found those chapters satisfying. Dunn was new to me, and, wow. Ghez also accomplished the difficult task of showing me Mary Blair pieces I hadn't seen before. And the depth of his research, both in unearthing rare pieces and writing artist biographies, is evident and really pays off. Whether you Disney obsessively, enjoy midcentury illustration, or are just curious to see how the animated works begin as sketches and ideas, you cannot go wrong with this book or the series. I recommend all four, but this one is best for its vivid colors and bold designs; second best is probably volume 1.It's worth mentioning that another "midcentury" Disney book also came out recently. This one is the better of the two in terms of research and visuals, though its scope is narrower.I am keeping my fingers crossed for a series on Parks concept art next...

It is fascinating to delve into the animation creative process and discover the amazing concept art of some relatively unknown Disney artists of the 1950s and 1960s. Lee Blair’s concepts for Pinocchio, Fantasia, and Saludos Amigos are a joy to behold. Walt Peregoy’s background concepts for The Jungle Book are simply sublime. Previously unseen artwork from Mary Blair was a wonderful surprise. As always, the text is full of insight into the lives of the artists and the creative process at the Disney studio. I can’t wait for Volume 5!

Volume 4 of Didier Ghez's "They Drew As They Pleased" is my favorite of the series. Mid-century artwork is always a delight, so seeing Disney's creations from this time period is especially fascinating. As always, the author's scholarship advances our knowledge of artists who may have been underappreciated by the public during their lifetime. Didier's chronicling of their creative contributions is a fitting testament to these artists' lasting legacies. Highly recommended!

Disney concept art from the 1950s might be my favorite as they are the films that I grew up with. Disney historian, Didier Ghez, has done his usual incredible job in this new volume. Thorough research and investigation into the lives of these wonderful artists make for a fascinating read. As usual, Didier hunts down treasured art pieces that have never before been published. To a Disney art lover, like myself, opening this volume is like gaining admission to a private showing of Disney masters. You will not regret owning this volume.

With a series as magnificent at this it’s difficult to pick a favorite volume, though if pressed I would say volume 4, such a fascinating era and such amazing artists. The studio, like the art world as a whole was going through an artistic evolution. Trying to stay true to its traditions yet stretch its wings and challenge the artists and no where is that better demonstrated than in this volume. This book, along with Amud Amidi’s Cartoon Midern are essentials in my book shelf and in my hands for repeated perusal. An amazing book of an amazing era.

In the tradition of the three previus books, indispensable. Original drawings never seen before. For more animation art books pics enter in my account. Thanks!

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